Showing posts with label cattle decapitation. Show all posts
Showing posts with label cattle decapitation. Show all posts

Monday, June 10, 2019

Flub - Flub Review // The Artisan Era


It's been a good year so far for fans of Death Metal, and the year doesn't seem to be letting up. Just recently, Flub released their new, self-titled album through The Artisan Era. This is a label known for dropping some of the most prolific extreme metal out there, which means it's generally a safe bet that any album with their name on it will be pretty damn good. So, what about Flub? Well, it's time to take a deep dive into their fast paced album.

Right off the bat, this album is introduced as a quite interesting Technical Death Metal release. It kicks off with the incredibly Jazz influenced "Last Breath". The instrumentals throughout this release alternate quite often between the aforementioned jazz inspired Tech Death, straight old school Death Metal and a more Grindcore influenced sound. Bass fans should do themselves a favour and dive into "Umbra Mortis", the intro is purely bass before the track really kicks in. Once in high gear, this song really takes off. There's nothing quite like the keyboard throughout this album and that's another thing incredibly prevalent in this track. The keyboard adds so much depth to the sound and can make a track that may feel shallow, feel emotional and intense.


One of the hardest hitting songs on the album is "Rise From Your Grave", which was also the second single off the album. A lot of this track is very reminiscent of Cattle Decapitation, it has a very intense feel with bits of melody mixed in. The vocals are well spoken, but brutal. Particularly, about halfway through there's a scream that sounds like it's ripped directly from practically any of the later Cattle Decapitation albums. Without delving too far into it, "Rebirth" takes massive influence from The Faceless, particularly in the keyboard and (dare it be said) clean vocals.

If you're looking for a Tech Death album with a whole lot of heart, emotion and logic, Flub has exactly that. This may be the debut release from this supergroup, but it could very easily be assumed that the band would be at least five albums in. You owe it to yourself to check this out if you want some Death Metal with a little more feeling.

9.5/10

Saturday, February 16, 2019

Backstabber "Conspiracy Theorist" Review


For fans of aliens and death metal, a new band is making its way onto the scene. Backstabber, a new band out of Quebec, look to show off their style of death metal with new album Conspiracy Theorist. While this may be the debut full length release from Backstabber, the band has definitely already made waves having shared the stage with the likes of Cattle Decapitation, Depths of Hatred, and First Fragment. It makes sense that Backstabber shared the stage with Depths of Hatred, seeing as guitarist and vocalist Christian Mongrain-Thériault was with the band between 2012 and 2013.

Conspiracy Theorist kicks off with a, sort of, instrumental track. “Inaugural Address” features fairly basic and a very slow tempo instrumental part with John F. Kennedy's infamous secret society or conspiracy speech. What is a more perfect way to kick off an album about conspiracies than the original speech on them. This leads straight into the first actual track on the album, “Whistle Blower”. “Whistle Blower” is a straight to the gut death metal track, without too much to note really. It's a great way to start the album, it gives an idea of how hard Backstabber hit. It does exactly what an opening track should, grabs the listener's attention and lets them know what's going on without giving away all the tricks. “No Privacy”, a song that Backstabber has up for free download (right here) for anyone interested, is a little bit of a step up. “No Privacy” builds off what “Whistle Blower” started with straight up death metal, throwing in some heavy bridges and a guitar solo that's impressive but not over the top.

Backstabber also released a music video leading up to the release of Conspiracy Theorist for the track “Subterranean”. The video features the band in a room playing the song, nothing too special, but it is very, very well filmed. The song itself is very heavy, starting off with a soft guitar part and harsh vocals over top, it very quickly develops into something more intense. Watching the song played through in the video is easily the best way to enjoy this track, it's a song that alternates between fast blastbeat centered musicianship and a heavy breakdown topped with a guitar solo. This is the kind of song you want to hear when a band relates themselves back to some of best in the business, like Hypocrisy and Kataklysm.


It may be early in the year, but this is easily one of the best death metal releases of the year. Backstabber show off that bands can have that Hypocrisy style, without blatantly ripping off the band. The songs are incredibly well written, alongside the inclusion of different speeches and other famous public speaking that's mixed in before, after and even in the middle of some of the songs. The mixing is great and if you're a death metal fan of any caliber, this is an album that should definitely be included in your collection.


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Friday, December 21, 2018

Geostygma "The Die Is Cast" Review


France may be in a bit of turmoil right now, but what would be a better time to release a death metal album? France's newcomers Geostygma are looking to burst on the scene with their aggressive, serious and totally non-serious new EP The Die Is Cast. While the release may have been hidden under some massive album drops and of course, the news, this is worth your time.

Right of the bat, you'll notice this is a band who takes their music seriously. Mixing tech and melodic death metal together with a splash of grindcore influence. Geostygma burst right out of the gates with “Enqweentine 2.0” and don't let up. What is very notable about The Die Is Cast is while it's obvious Geostygma take the music seriously, they're clearly also having fun with it. While you may get lost in the intensity of “Enqweentine 2.0” the song ends with a little giggle before bursting into “Fanatic's Chant”. While some of the more serious fans of the music may be turned off by this, it makes the album a lot more human and a whole lot less mechanical.

“Fanatic's Chant” is one of the two main stand out songs on this album. This song is absolute power in its delivery, maintaining a solid pace throughout with interchanging riffs and a solid bass to match. The other standout song being “Withering Breath” simply because it packs the most on. There's ever changing riffs and easily some of the best work on the album. On top of that about half way through there's a random almost nu metal style section that takes you back. While the section is strange, it doesn't take away from the music at all. The song ends with essentially a “meme moment”, as one of the riffs comes back, even slower and heavier. The final song, “Formatted Brain” is a little bit different from the rest of the EP. This is for good reason, as it will be on the band first full length. This track I'll leave you blind with, judge for yourself.

If you're a fan of Cryptopsy, Cattle Decapitation, Benighted or Autopsy this is absolutely a record for you. In all the turmoil going on in France right now, it's not surprising to see something this pissed off and aggressive come out. Check out the Bandcamp stream for The Die Is Cast below and if you're in/around France, Spain or Belgium I highly suggest catching these guys on tour with Pitbulls in the Nursery, Exocrine and Ceild.











































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Tuesday, October 30, 2018

Concert Review: Farewell Frank - Death Chopping North America featuring Suffocation, Cattle Decapitation, Krisiun and Visceral Disgorge


          Visceral Disgorge kicked off the night at Lee's Palace. Visceral Disgorge were kind of a last minute addition and a damn good addition at that after Soreption we unable to get visas as per the usual with touring the states. Unfortunately, due to our interview with Cattle Decapitation's vocalist Travis Ryan, we missed the first half of their set. What we did catch though, man did these guys bring the slam. It makes sense these guys kicked off the show, Visceral Disgorge are an absolutely killer brutal death metal band. Although there wasn't much room to move around on stage, the band made the most of what they had. Four big dudes plus a drummer pumping out slamming death metal, it wasn't all that surprising when the floor opened at the end of the bands set for a pit. These guys warmed the crowd up real well, if you're hitting up the tour, definitely make sure you show up early for these guys.

          Next up is the Brazilian death metal masters, Krisiun. Krisiun are a band we've actually covered before, when they came through a few years back. This time, Krisiun are coming through supporting their new album Scourge of the Enthroned which was released only in September 2018. For fans who have yet to see Krisiun or anyone who is new to them, this is probably the perfect set to catch from them, although it is a bit shorter. Krisiun play a good mix from the entirety of their nearly thirty year career. Although Krisiun have at this point released eleven full lengths, their six song set has songs from all different albums. "Ominous" and "Combustion Inferno" take on a much stronger, old school style. The title track from the new album "Scourge of the Enthroned" was even stronger live than it is studio and for the real fans, "Vengeance's Revelation" from the bands second album Apocalyptic Revelation comers right near the end of the set. It seemed like a lot of people in the audience were unfamiliar with Krisiun prior to this outing, but we heard nothing but good things from the crowd between sets.


          Next up was the key reason this tour sold me, Cattle Decapitation are back in town. Although they don't have a new album yet, they're always a blast live. Playing songs solely from their previous two records Monolith of Inhumanity and The Anthropocene Extinction the band blasted right into it from the get go with "The Carbon Stampede". Fans of Cattle Decapitation, who have seen the band in the past couple years, will be very familiar with the bands set on this run, which is my only real complaint. We have seen Cattle Decapitation three times since the release of the band's 2015 album The Anthropocene Extinction. The set all three times has consisted of almost entirely the same songs. The set is killer and if this is your first time seeing the band, you're going see the best of the best. Cattle Decapitation are incredibly strong live and they've all but mastered these songs. Especially with the new monster of a lineup the band has including the addition of Olivier Pinard (Cryptopsy) on bass and Belisario Dimuzio on guitar. If you're a fan of blistering speed and want to be in the pit showing what you've got, you're going be a fan of "Forced Gender Reassignment", "The Prophets of Loss" and "The Carbon Stampede". If you prefer slower, heavier death metal and just want to bang your head, "Manufactured Extinct", "Clandestine Ways (Krokodil Rot)" and "Kingdom of Tyrants" are going be right up your alley. At the end of the day, Cattle Decapitation always put on a wicked show and whether you've seen them before or not, it's definitely worth catching this tour. Only real complaint about the set is simply the fact that there's no older songs from The Harvest Floor or earlier.


          Now for the main event. Capping off the Farewell to Frank tour, is the man himself. Suffocation hit the stage fast and hard. Whether or not you've seen Suffocation before, this is the epitome of the perfect Suffocation set. This is the band's final outing with Frank Mullin fronting Suffocation and whether or not they continue past that appears to be up in the air. Suffocation play a little bit of everything from every album except two, ironically enough that's the self titled and the newest album ...Of The Dark Light. The set will be adored by the original fans, people who have been following along with Suffocation from the beginning. Souls To Deny and earlier makes up for almost the entirety of the set. As this was our first time catching Suffocation we were unsure of what to expect, but the show was spectacular. The personality on stage was incredible, Frank was nothing but personal and friendly. For a death metal show, it's kind of unexpected to hear a band talk so much between songs, but Frank was an honest person. While the band tuned and reset, Frank talked about his life with the band, what his plans were after this tour and his love for everything. It was a very human show, it brought you back to earth that these are real people who live real lives and it made it far more special. This may be the last time Toronto ever gets to see Suffocation and it was easily the best example of who these guys are. When the band came back out on stage for their encore, "Souls to Deny" and "Infecting the Crypts", the audience knew this was their last chance. The pit opened to its largest of the night, everyone needed to get in there and show one last hoorah to Frank and Suffocation. The band closed the show with big smiles and one last speech from Frank before saying good-bye.

Tuesday, November 14, 2017

Live Report: Cattle Decapitation, Revocation, Full of Hell and Artificial Brain "Inhuman Beings" Tour at The Opera House

        The Opera House is a venue that Metal fans in Toronto visit a lot, so many shows happen here, for good reason as it's an outstanding venue with great staff. It's Halloween night and Toronto is full of spooky people, but tonight Cattle Decapitation bring their "Inhuman Beings" tour through the city with Revocation, Full of Hell and Artificial Brain to show the Death Metaller's in the area how it's done.

Photo Credit: Samantha Carcasole
Photo Credit: Samantha Carcasole
        Like we said, it's Halloween and bands and fans alike are taking advantage of it. Artificial Brain opened up the show and I was stoked to finally see these guys live, their last album "Infrared Horizon" is a Death Metal monster you need to check out, and the band will be playing a handful of songs from both their albums tonight. Paulo Paguntalan took over vocals for the band tonight dressed up as a lovely lady donning a night pink dress and fluttering around stage flirting with the boys at the barricade. His vocals matched the band very well, makes sense why they picked him to fill in tonight, with the only real noticeable difference being his higher growls weren't as well annunciated as Will Smith's but nevertheless the band killed tonight. songs like "Anchored to the Inlayed Arc" and "Worm Harvester" were intense live, and right off the bat the crowd was ready to go with heads banging and the pit spanning a good chunk of the venues floor. After only 5 songs though, the band were done and left for the night, only to be seen again in the crowd all night enjoying the rest of the bands.

Photo Credit: Samantha Carcasole


Photo Credit: Samantha Carcasole




Photo Credit: Samantha Carcasole
Photo Credit: Samantha Carcasole
        Full of Hell hit the stage next with their blend of Experimental and Grindcore, the band were all wearing dippers showing off their legs tonight. Full of Hell didn't exactly stick out to me, the music had a lot of samples going on and while I understand the idea of Grindcore is to be fast and intense, the joke of "showed up 20 minutes late to a Grindcore concert, missed the first 3 bands" seemed inherently true. The band even pulled Paulo back on stage for a cover of Napalm Death's world record song "You Suffer" near the end of their show. I can't deny the band has fans, a ton of people were pushing their way through the crowd and into the pit and the pit pretty much hit full size during Full of Hell's set, but personally the band did nothing for me.


Photo Credit: Samantha Carcasole


Photo Credit: Samantha Carcasole




Photo Credit: Samantha Carcasole
Photo Credit: Samantha Carcasole
        Luckily, Revocation had the exact opposite effect on me and the band put on an outstanding show. Opening with the 80s Spider-Man Theme playing over the PA Spider-Man aka Dave Davidson entered the stand to introduce the rest of the Avengers before the band stated. Enter stage right Spider-Man, Spider-Man and Spider-Man who made up the entirety of Revocation. After about 5 minutes of joking around, the band broke into "Teratogenesis" and "Communion", the first single from their newest album "Great Is Our Sin", eventually the show was broken up with the Spider-Man Theme coming back and the band's stage hand entering to give Dave a different guitar dressed as a spider. After some joking about Spider-Man, not spider, man, the band continued their set and hit the song most fans were excited to hear, "Empire of the Obscene" the title track from the bands first album. Again later, the theme song came back and enter the band's stage hand as Spider-Woman, who decided afterwards to crowdsurf all the way from the stage to the back of the venue. With "Dismantle the Dictator" came the end of Revocation's set and a huge pit, a lot of crowd surfers and more spider jokes, but it was time fore the band to call it a night, and Spider-Mans exited stage right.
Photo Credit: Samantha Carcasole

Photo Credit: Samantha Carcasole




Photo Credit: Samantha Carcasole
Photo Credit: Samantha Carcasole
Photo Credit: Samantha Carcasole
        Last but not least of the Halloween festivities, our headliner and Death Metal masters, Cattle Decapitation. This is the second time I've managed to make it out to catch these guys and a far larger venue than last time (for all you Toronto locals, last time I saw them was the upstairs of Sneaky Dee's). If I had to guess this will be the bands last outing for their album "The Anthropocene Extinction" which the band played the majority of. Kicking off with fan favourite's "The Carbon Stampede" and "Dead Set On Suicide" the band hit the stage fast, each member outside of Travis Ryan dressed as another animal, Travis Ryan was dressed as the bands mascot, a goat headed creature draped in cloth very similar to the Grim Reaper, which only makes sense. For anyone unaware, the band have a habit of displaying the horrific nature of slaughter houses and animal life on farms being bred for slaughter and depicting humans in the same conditions. None is more obvious than when the band broke into "Not Suitable for Life" which was preceded by "The Burdon of Seven Billion" being played over the PA. The crowd was wild, the pit ate most of the floor and for anyone wanting to avoid it, you would have had to hide at the very far back of the venue, fans were showing the band what they had. Probably my favourite track off the new record and the first single "Manufactured Extinct" came near the end of the set and one thing interesting is the fact that the band has clean vocals in the song where you will see all the fans singing along. Before long though, after a chant for the band to reclaim the stage and "Your Disposal" was presented as our encore, the band called it a night and seeing everyone outside, while no one wanted to see it end, everyone was pleased with the set.




Photo Credit: Samantha Carcasole