Showing posts with label jomsviking. Show all posts
Showing posts with label jomsviking. Show all posts

Sunday, May 8, 2016

Live Report: Amon Amarth, Entombed A.D. and Exmortus in Toronto at the Danforth Music Hall on April 30th, 2016


                Saturday night at a sold out venue in a posh part of Toronto, who knows how many long haired delinquent looking metalheads decent on this part of the city will all the “proper” people walking buy looking quite shocked to see this mess in their neighbourhood. Needless to say we all decided “fuck em” tonight is Exmortus, Entombed A.D. and of course, the main event in all their Viking glory, Amon Amarth. This wasn’t my first time at The Danforth Music Hall, but it was definitely the most insane.


                Once the doors opened and most people got their merch, the venue packed in a ton before the first band even hit the stage, which is a little strange sometimes. After a little bit of a wait and getting acquainted to my new friends beside me Exmortus took the stage and took over the crowd. From beginning to end, the crowd was super into these guys, after cranking through the Warcraft inspired “For The Horde” and fan favourite “Foe Hammer” the band broke into “Death to Tyrants” which got heads banging everywhere. Anyone who didn’t know this band was floored fairly quickly when asked “is anyone a fan of Classical Music?” the band broke into “Moonlight Sonata (Act 3)” which was 5-6 minutes of pure, intense, consistent solos from every single member of the band. The crowd, including myself, was in absolute awe of how tight this band played such insane stuff, but much to quickly the band was forced to say goodbye after going through what is bound to be a Metal anthem in years to come “Metal Is King”.


                After a short layover, Entombed A.D. came to say hello, and the sound and atmosphere was much different. This band was a bit slower and more melodic and the vocals were more of a yell than a growl, but all the same this was a band with presence. They moved and used the entire stage, they played a few Entombed songs (pre-copyright whatever) and did their thing but some of the crowd was getting a bit restless, they wanted Amon Amarth. Luckily, near the end for the last few songs they were joined by a special guest on stage, none other than Johan Soderberg to play guitar with them. After “Revel In Flesh,” “Wolverine Blues” and “Left Hand Path” the band was calling it for the night, and the crowd got intense to say the least, the floor packed in and there was hardly room to breathe and this was all before the pit opened and took up even more room.



                After a break, a quick sound check and of course, setting up the stairs to the giant Viking helm that took up half the stage, it was time to begin. The lights dropped, the sound of war filled the venue and the instantly recognizable opening riff of “The Pursuit of Vikings” began, the crowd went crazy and instantly I was crushed, absolutely impossible to breathe. After “Loki Falls” and, the opening track from the new album, “First Kill” the band backed off up onto the helm and two vikings came out centre stage, sword and shield in hand. “Sure, these guys are gonna play fight” because that’s the whole point of the song “The Way of Vikings,” it’s about two Vikings fighting. Not quite, these two went at each other with insane force, as the main riff began they started to swing their swords and chips of their shields were flying everywhere and it was amazing and mesmerizing to watch these two fight with such force. After one was killed, they were dragged off stage and the shields were collected as the band finished out the song. They continued with songs old and new, “At Dawn’s First Light,” “Cry of the Black Birds,” right up to a song from the album “Versus the World” where they slowed the pace right down for “A Thousand Years of Oppression,” which is a personal favourite Amon Amarth song of mine. The pit was still going strong and it was still hard to breathe with the big guy behind me pressed right up on me. A few songs later, vocalist Johan Hegg disappeared and the band began “Father of the Wolf” and during the opening, returning up the stairs came Hegg dressed as Loki himself. While this was only the case for half the song (it’s probably stupidly hot in that mask) it created an atmosphere for the song that already gave off a vile, sinister feel. The Vikings returned for “One Thousand Burning Arrows” standing on the platforms on the helm aiming bows into the crowd and for the last song of the main set “Victorious March” where they stood guard with spear in hand. After a short intermission the band returned with new fan favourite “Raise Your Horns” and the mainstay of the band “Twilight of the Thunder God” and with that I knew it was over because I could actually breathe again. I guess due to time constraints with the venue being in such a posh area, the band were forced to skip over “Guardians of Asgaard” which was meant to follow “Raise Your Horns” which was a bit of a bummer, but I’m over it. Overall, I’ve never been so sore after a concert and not having been in the pit for this one, that’s saying something but this is a tour to see and to see from beginning to end, as all the bands have their own draw, but Exmortus and Amon Amarth definitely make it worth the ticket price, no matter what it may be, but that’s just my opinion.

Exmortus Performance: 95/100
Entombed A.D. Performance: 65/100
Amon Amarth Performance: 98/100
Overall Experience: 90/100

Tuesday, March 22, 2016

Amon Amarth "Jomsviking" Album Review


                Swedish Melodic Death Metal legends, Amon Amarth are back with their tenth album “Jomsviking” and the first concept album written by the band. A total of ten songs (eleven if you get the bonus track, which is worth it as it pushes the story just a little more), it’s been a long wait for the fans since 2013 but the wait was probably worth it for most of you. While reading a bunch of hate about how their first couple songs basically sound too much like Amon Amarth, I’m gonna tell you to just leave if you’re one of those people.

                Side note: this is a concept album about a man who loves a woman who is being married off, he proceeds to kill the man she’s being married to. Banished, our character faces all sorts of hardship before returning a full-fledged Viking Man and trying to make her love him, all just to be shunned away in rejection. I, personally, cannot wait for the full release to read the lyrics and properly follow the story, but this is what I gathered.

                The album kicks off with the first released single and video “First Kill” which sounds like a throwback to “Surtur Rising” and “Twilight of the Thudergod” more than any other albums. Starting with a signature Amon Amarth opener the song instantly draws you in the way the band know how to. Once the main riff kicks in with the tapping over top of a consistent speed guitar and blastbeats you’re hooked, while the chorus does sound a bit more like something from “Deceiver of the Gods” the song is a constant hook, pulling you in and while its more along the lines of a standard Amon Amarth song, that’s all most people want from the album opener.

                A few tracks down you’ll find “Raise Your Horn,” a drinking song dedicated to the dead. This song takes a bit more of a page from “A Fate of Norns” and “With Odin On Our Side,” with a chorus like “raise your horns, raise them up to the sky, we will drink to glory tonight” not only will this song become a live staple, but just another reason for me to buy a drinking horn when the band come through on their tour. The song is a bit slower than average, but its heavy, catchy and harmonic in all the right places.

                “At Dawn’s First Light, run for your lives” is how you’re welcome to the second released single “At Dawn’s First Light,” this song reminds me a lot of “Where Is Your God” and a bunch of songs from “Twilight of the Thundergod” while still sounding completely new. The versus are straight speed, the chorus slows down a little for the intense harmonies Amon Amarth are known for and in between the chorus and verse is my favourite section, just a straight heavy instrumental with Johan Hegg screaming “slashing, killing, thrashing, spilling, blood for honour, death and glory” over top is just spectacular. Following the second chorus is a lower set of vocals from Hegg as the song gets heavier just before a short but sweet solo. It should also be noted the lower sound at the beginning and near the end, it’s neat to here Hegg almost doing a spoken word section during songs.

                Last track of significant mention is “A Dream That Cannot Be” featuring our main characters love, voiced by Doro Pesch and while not normally being a fan of her vocals the almost raspy womanly tone of her singing voice in contrast with Hegg’s growls is quite special. The band played with this idea on the last album “Deceiver of the Gods” having Messiah Marcolin on the track “Hel” and while it worked then, the way this song pushes the story makes it a significant song on the album. The song isn’t over the top in any way and is fairly consistent beginning to end not really changing pace or tone at all but if you like Pesch you’ll enjoy the song, and if you don’t, like myself, you may still just enjoy the song.


                In the end, “Jomsviking” is now my second favourite Amon Amarth album, just behind “Surtur Rising.” It’s heavy, it’s melodic and it’s surprisingly touching once you pick up some of the vocals. There is real emotion to all of the songs and you can understand how much the character must have gone through. Out through Metal Blade Records, any fan of Melodic Death Metal should pick up this spectacular concept album and you should definitely see them on tour in April/May with Entombed and Exmortus!


95/100