Sunday, May 8, 2016

Live Report: Amon Amarth, Entombed A.D. and Exmortus in Toronto at the Danforth Music Hall on April 30th, 2016


                Saturday night at a sold out venue in a posh part of Toronto, who knows how many long haired delinquent looking metalheads decent on this part of the city will all the “proper” people walking buy looking quite shocked to see this mess in their neighbourhood. Needless to say we all decided “fuck em” tonight is Exmortus, Entombed A.D. and of course, the main event in all their Viking glory, Amon Amarth. This wasn’t my first time at The Danforth Music Hall, but it was definitely the most insane.


                Once the doors opened and most people got their merch, the venue packed in a ton before the first band even hit the stage, which is a little strange sometimes. After a little bit of a wait and getting acquainted to my new friends beside me Exmortus took the stage and took over the crowd. From beginning to end, the crowd was super into these guys, after cranking through the Warcraft inspired “For The Horde” and fan favourite “Foe Hammer” the band broke into “Death to Tyrants” which got heads banging everywhere. Anyone who didn’t know this band was floored fairly quickly when asked “is anyone a fan of Classical Music?” the band broke into “Moonlight Sonata (Act 3)” which was 5-6 minutes of pure, intense, consistent solos from every single member of the band. The crowd, including myself, was in absolute awe of how tight this band played such insane stuff, but much to quickly the band was forced to say goodbye after going through what is bound to be a Metal anthem in years to come “Metal Is King”.


                After a short layover, Entombed A.D. came to say hello, and the sound and atmosphere was much different. This band was a bit slower and more melodic and the vocals were more of a yell than a growl, but all the same this was a band with presence. They moved and used the entire stage, they played a few Entombed songs (pre-copyright whatever) and did their thing but some of the crowd was getting a bit restless, they wanted Amon Amarth. Luckily, near the end for the last few songs they were joined by a special guest on stage, none other than Johan Soderberg to play guitar with them. After “Revel In Flesh,” “Wolverine Blues” and “Left Hand Path” the band was calling it for the night, and the crowd got intense to say the least, the floor packed in and there was hardly room to breathe and this was all before the pit opened and took up even more room.



                After a break, a quick sound check and of course, setting up the stairs to the giant Viking helm that took up half the stage, it was time to begin. The lights dropped, the sound of war filled the venue and the instantly recognizable opening riff of “The Pursuit of Vikings” began, the crowd went crazy and instantly I was crushed, absolutely impossible to breathe. After “Loki Falls” and, the opening track from the new album, “First Kill” the band backed off up onto the helm and two vikings came out centre stage, sword and shield in hand. “Sure, these guys are gonna play fight” because that’s the whole point of the song “The Way of Vikings,” it’s about two Vikings fighting. Not quite, these two went at each other with insane force, as the main riff began they started to swing their swords and chips of their shields were flying everywhere and it was amazing and mesmerizing to watch these two fight with such force. After one was killed, they were dragged off stage and the shields were collected as the band finished out the song. They continued with songs old and new, “At Dawn’s First Light,” “Cry of the Black Birds,” right up to a song from the album “Versus the World” where they slowed the pace right down for “A Thousand Years of Oppression,” which is a personal favourite Amon Amarth song of mine. The pit was still going strong and it was still hard to breathe with the big guy behind me pressed right up on me. A few songs later, vocalist Johan Hegg disappeared and the band began “Father of the Wolf” and during the opening, returning up the stairs came Hegg dressed as Loki himself. While this was only the case for half the song (it’s probably stupidly hot in that mask) it created an atmosphere for the song that already gave off a vile, sinister feel. The Vikings returned for “One Thousand Burning Arrows” standing on the platforms on the helm aiming bows into the crowd and for the last song of the main set “Victorious March” where they stood guard with spear in hand. After a short intermission the band returned with new fan favourite “Raise Your Horns” and the mainstay of the band “Twilight of the Thunder God” and with that I knew it was over because I could actually breathe again. I guess due to time constraints with the venue being in such a posh area, the band were forced to skip over “Guardians of Asgaard” which was meant to follow “Raise Your Horns” which was a bit of a bummer, but I’m over it. Overall, I’ve never been so sore after a concert and not having been in the pit for this one, that’s saying something but this is a tour to see and to see from beginning to end, as all the bands have their own draw, but Exmortus and Amon Amarth definitely make it worth the ticket price, no matter what it may be, but that’s just my opinion.

Exmortus Performance: 95/100
Entombed A.D. Performance: 65/100
Amon Amarth Performance: 98/100
Overall Experience: 90/100

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